Category Archives: Studio photo shoots

Model Experience photo shoot with C Walé Beauty

Photos from a “Model Experience photo shoot”

But what is a “Model Experience” photo shoot?

The aim is to give a client a complete “model experience”, but without the pressure to “perform” that a real model might have to deal with. I want your experience to be relaxing, memorable and enjoyable. You can even bring your own music (speakers are provided). In addition of course we will create some beautiful professional images.

Because I only book one “Model Experience” photo shoot per day, I am able to spend as much time as necessary to create some beautiful images. I don’t like watching the clock too much when I am shooting, and I would rather spend a little more time (if necessary) to capture something excellent. In general I allow up to three hours shooting time, but if things are going well, and we both want to continue, I won’t necessarily cut off the shoot until we are happy. You would be surprised how quickly three hours disappears if you are working with different looks, especially if the shoot is split between the studio and a location.

What if I don’t know “how to model”?

Most people aren’t born knowing how to be a good model. Don’t worry, because I will guide you if necessary.

All my photo shoots also include a pre-shoot consultation, during which we will explore what you want to get out of your shoot. We can call upon all my experience, and work in various styles. Have a look at the “Fashion Style” section (with it’s submenu) on my website for inspiration. You can also show me photos by other photographers at your consultation.

Make up by C Walé Beauty

“Model Experience” photo shoots make use of the skills of a professional make up artist. I work with several professional make up artists, all of whom I know and trust. The make up artist on this particular shoot was Caroline of C Walé BeautyIt is always a pleasure working with Caroline. She is a very reliable make up artist, who works wonders with make up and hair styling. She also has a facebook page here.

In this photo shoot, Caroline created a traditional Nigerian look. Twice. And it should be obvious that in this particular shoot, the model’s hair was not the focus of Caroline’s attention! I did not realise how much is involved in getting those head scarves to look really good.

Would you like to book me for your own “model experience” photo shoot?

If you would like to go through the “model experience”, have a look at my “booking a professional photo shoot” page.

Professional photo shoots make excellent and unusual gifts

Click on this link for a short “behind the scenes” video clip

model experience photo shoot, Ian Trayner photographer, C Walé Beauty

model experience photo shoot, Ian Trayner photographer, C Walé Beauty

model experience photo shoot, Ian Trayner photographer, C Walé Beauty

model experience photo shoot, Ian Trayner photographer, C Walé Beauty

 

model experience photo shoot, Ian Trayner photographer, C Walé Beauty model experience photo shoot, Ian Trayner photographer, C Walé Beauty model experience photo shoot, Ian Trayner photographer, C Walé Beauty

 

 

commercial fashion photo shoot in Kingston upon Thames

Commercial fashion photo shoot in Kingston

Commercial fashion photo shoot for Mimi Florence Designs

Mimi Florence Designs is run by a gifted mother of three beautiful kids. She loves to crochet and make jewellery. Each item is custom made for the client. We set up a commercial fashion photo shoot to provide high quality images for her.

Personally I would describe designs from Mimi Florence as “extremely flattering for ladies who have lots of self confidence”. I mean particularly women who feel good about their bodies.

But look at my images from the photo shoot, and judge for yourself.

Commercial fashion photo shoot for Mimi Florence Designs, photography by Ian Trayner Commercial fashion photo shoot for Mimi Florence Designs, photography by Ian Trayner Commercial fashion photo shoot for Mimi Florence Designs, photography by Ian Trayner Commercial fashion photo shoot for Mimi Florence Designs, photography by Ian Trayner Commercial fashion photo shoot for Mimi Florence Designs, photography by Ian Trayner Commercial fashion photo shoot for Mimi Florence Designs, photography by Ian Trayner

 

 

Commercial fashion photo shoot for Mimi Florence Designs, photography by Ian TraynerCommercial fashion photo shoot for Mimi Florence Designs, photography by Ian Trayner

Commercial fashion photo shoot for Mimi Florence Designs, photography by Ian TraynerCommercial fashion photo shoot for Mimi Florence Designs, photography by Ian Trayner

Technical info about setting up this commercial fashion photo shoot

Shooting high key in the studio

For the high key shots I used pretty standard high key lighting. I used two flash heads for lighting the white background, one on each side. These were each fitted with a tall slim softboxes. For the key light I used a 1m deep octaganol softbox with grid. I angled the key light with care so that it gave (a) flattering directional light on the models and (b) a good spread of light on the ground at their feet.

Yollanda’s hair obliged me to move the key light to the “less convenient” side of my studio, that is to say the right hand side, looking at the model from the camera. This side is less convenient solely because of the shape of my studio, and there is less room for putting lights on the right than on the left. If I had not done this, I would have been struggling with a shadow on Yollanda’s face from her hair (because her hair has a parting on her left, which is the right as you look at her from the camera).

Shooting outdoors using natural light

When we went outdoors I used only natural light. The location is the garden at the back of my photo studio in Kingston upon Thames. If you look at the very last photo, Michelle’s eyes are looking more or less in the direction of the sun, which was already quite low in the sky. Michelle is the model with slightly wavy hair, who is wearing the pink top. The models were sitting in dappled shade under a tree. Because sometimes the sun threw displeasing bright patches of light on the models, I had an assistant (actually it was Venus, the make up artist) hold up a semi-translucent screen between the sun and the models.

Also, because I needed more light coming onto the models from camera left, I had another assistant hold up a large white reflective screen (by large, I mean something like 6 feet by 4 feet). This threw just the right amount of light back onto the models faces. This combination gave a very pleasing natural light effect. Unless you were an experienced photographer, you probably wouldn’t notice that the ambient light had been “modified”.

The creative team behind this photo shoot

Photographer: Ian Trayner
Models: Yollanda Musa and Michelle Chaxs
Make up: Venus (search instagram for @_makeupby_vee_)
Designer: Mimi Florence Designs

family photo shoot, photography in Kingston

Family photo shoot in Kingston upon Thames

Would you like your family photo shoot in the studio, or on location?

Why not both?

All my photo shoots, whether they are a family photo shoot, a commercial shoot, or a fashion shoot, are custom designed for my clients.

“Emma’s Diary”

I am primarily a baby and family photographer, and I work in association with “Emma’s Diary“. That means I have special offers for customers who come from Emma’s Diary. It also means I can enter photos of their babies into the “Baby of the Month” competition that is run in association with Emma’s Diary. Each month 5 lucky parents receive £100 Mothercare vouchers, and there is a rather more substantial prize of £5,000 at the end of each year, for the “Baby of the Year”.

Recently I did a photo shoot with a young family who came to me via Emma’s Diary, and they wanted to enter their baby into the “Baby of the Month” competition.

Bespoke family photography

Everyone who books me for a photo shoot is entitled to a “pre-shoot consultation”. This is when I talk through the photo shoot with my client. We talk about what style of photography to use, and what they want to end up with at the end of their photo shoot.These consultations are best done face to face in my photo studio. However (not surprisingly) most pregnant mums, or new mums, prefer to do it over the phone. We can also exchange images by e-mail.

(Many clients don’t really know what they want to end up with, so one of my roles is to talk through the various options).

So… mum and I discussed how to approach this “baby photo shoot”. Very quickly this turned into a “family photo shoot plus baby”.  And shortly after that, it became a “location photo shoot” as well as a “studio photo shoot”. Not bad progress for just a few minutes of chatting.

I love having the luxury of being able to  design my photo shoots in a bespoke manner for individual clients. I am also able to give my customers the time they need to capture the images they want.

Shooting on location

We drove to a location just a few minutes from my studio. The result is some beautiful images of a very photogenic family, in a photogenic location, with a very, very cute baby (he has the most amazing eyes).

Would you like to hire me for your family photo shoot?

Click this link to find out about booking your own  “professional photo shoot“.
family photo shoot on location in Kingston upon Thames, Surrey family photo shoot on location in Kingston upon Thames, Surrey family photo shoot on location in Kingston upon Thames, Surrey family photo shoot on location in Kingston upon Thames, Surrey family photo shoot on location in Kingston upon Thames, Surrey family photo shoot on location in Kingston upon Thames, Surrey

 

 Health and safety…

I hope you might be amused by this photoshop trickery

family photo shoot in my studio in Kingston upon Thames, Surreyfamily photo shoot in my studio in Kingston upon Thames, Surrey

maternity photo shoot in Kingston upon Thames, Surrey

Maternity photo shoot in Kingston, Surrey

Maternity photo shoot in Kingston upon Thames, Surrey

This maternity photo shoot was the result of a personal recommendation. My services were  recommended to Rathees and Priya, by Tripti Kaur.  Tripti did Priya’s hair and make up for her wedding.

It is always nice to be recommended!

Tripti must have done a good job of recommending me as a photographer.  Rathees and Priya live in the Midlands, yet they were willing to drive to my studio in Kingston upon Thames for their maternity photo shoot. This is quite a serious committment for a pregnant mum, and I made sure we discussed what Priya would do if her baby arrived early while she was down here. Fortunately everything went smoothly.

To tell the truth, I suspect they also drove the distance because they knew and trusted Tripti as a make up artist.

Make up by Tripti Kaur

I have worked with Tripti a number of times, and she works mostly with Asian brides. My photos may not do full justice to Tripti’s hair styling, because in order to complete the shoot before darkness fell, we went out on location before doing the studio part of the photo shoot. That means the wind got at Priya’s hair before I took the serious studio shots. Aaargh! Never mind… Still looks good though.

Can I do a maternity photo shoot on location and in the studio?

Yes, of course I can. I can do your maternity photo shoot entirely in the studio, or on location, or both. I am a bespoke photographer, and I custom design my photo shoots for my clients. For more information check out my website for the types of photo shoots I offer.

As soon as Tripti had finished working her make up magic, we headed out to our first locationfor. I wanted to take some natural looking shots. But with the sun low in the sky I decided to add some more dramatic photos, with the sun in the frame.

After taking photos at our first location, we headed back to the studio for a change of dress. Then we headed out to our second location. The sun was setting as we arrived, but I took advantage of the night sky to provide a nice background for some atmospheric photos.

After the sun had set, we drove back to my studio for the studio shots, plus one more change of outfit.

Love and attention

This particular maternity photo shoot will be memorable for me because Priya and Rathees are such nice people, and together they make a very, very charming couple. I was touched by the love, the care, and the consideration that is evident as Rathees looks after his wife.  At times like this I feel very privileged to be admitted into such a close circle so I can make a photographic record of these special times, and these special relationships. It is a real honour, and it is lovely to be trusted to this job.

After the photo shoot

I had to wait quite a few weeks before Priya and Rathees could drive down to KIngston upon Thames, for their viewing in my studio. I was delighted to meet little Janvi, who is an exceptionally beautiful baby girl. Priya also brought me some cake from the “Baby Shower” for me! Although Rathees and Priya are clients, and I have a professional relationship with them, I feel I have made some new friends in the Midlands.

I pride myself on finding out what my clients want, and then helping them get that. This is why all my photo shoots, maternity or otherwise, are designed for each client. Rathees and Priya asked me if I could include a small number of their own photos in the album I designed. These photos were taken by family friends at the “baby shower” they had in their home before Janvi was born. At times like this I am willing to include a few photos like this, as long as there are just a few of them. In my eyes the album is more important than my vanity as a photographer, and I understand why it is nice for new parents to want a single record of such a special time.

Would you like to hire me for a maternity, baby or family photo shoot?

Do you like the photographs on my website?  Would you like me to capture special images of your family and loved ones? Click here if you are thinking of booking me for a maternity photo shoot or any other kind of family photo shoot.
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Technical photography stuff

When I shoot on location, I always ask myself; “where is the light coming from?” “what is the nature of the light”, “how am I going to use the light that is available?”, and “am I going to complement it with my own lighting?”

Shooting with the sun in frame, a photographer needs to reduce the apparent brightness of the sun. As always, the options for controlling the exposure are the ISO, the shutter speed, and the aperture. However, depending on the flash system you are using it may not be possible to use a shutter speed faster than perhaps in the region of 1/250 of a second or so.

The shot with the sun in the background was taken using the flash on full power. The ISO was 100, the shutter speed was 1/200s, and the aperture was F20. In addition the lens had a 3 stop neutral density (ND)  filter that cuts the amount of light entering the camera by 7/8th (Ie it only lets 1/8th of the light through).

creative fashion shoot with Linda Blissett

Creative Fashion Shoot with Designer Linda Blissett and team

Creative Fashion Shoot with Linda Blissett, Cerys Wrigley-Moss, Karen Messam and Teresa Opiala

This creative fashion shoot was inspired by a series of photographs taken by Lindsay Adler.

The Aim

I wanted my model to wear red, or possibly red and black, against a red background. Her make up would have to match, and I wanted to add movement into some of the images.

The Creative Team

For a fashion shoot like this it is important to have a good team. The first thing I did was invite Linda Blissett to come on board as the clothing designer and stylist.  I have admired Linda’s style for a long time, and I realised that some of her designs would be ideal for this project. I was also eager to meet her, because she has always been very friendly on the phone, and chatting online.

I was delighted when Linda agreed, and once she was on board everything became very easy for me. That is because Linda invited the rest of the team without me having to do anything. Brilliant!

Designer and clothing stylist: Linda Blissett
Model: Cerys Wrigley-Moss
Make up: Karen Messam
Hair stylist: Teresa Anna Opiala

I am happy to say the team worked brilliantly well together, and I have to give a lot of credit to Cerys’s mum Karen Wrigley-Moss too, because she came along and her help was invaluable.

Linda and I chose the garment we felt was most suitable, and we gave Karen Messam and Teresa Opiala free reign to interpret the brief in their own way.

creative fashion shoot with Ian Trayner, Linda Blissett, Cerys Wrigley-Moss, Karen Messam and Teresa Opiala creative fashion shoot with Ian Trayner, Linda Blissett, Cerys Wrigley-Moss, Karen Messam and Teresa Opiala creative fashion shoot with Ian Trayner, Linda Blissett, Cerys Wrigley-Moss, Karen Messam and Teresa Opiala creative fashion shoot with Ian Trayner, Linda Blissett, Cerys Wrigley-Moss, Karen Messam and Teresa Opiala creative fashion shoot with Ian Trayner, Linda Blissett, Cerys Wrigley-Moss, Karen Messam and Teresa Opiala creative fashion shoot with Ian Trayner, Linda Blissett, Cerys Wrigley-Moss, Karen Messam and Teresa Opiala creative fashion shoot with Ian Trayner, Linda Blissett, Cerys Wrigley-Moss, Karen Messam and Teresa Opiala

Photography Methods

This creative fashion shoot was done in my photo studio in Kingston upon Thames, Surrey.

The red background is a paper roll, lit evenly using two studio flash heads, one on either side. These heads were each fitted with a 140x30cm soft box. In some shots, two people, standing at either side, waved a lightweight red cloth up and down. I added some patterns and textures to some of the other images in post production. You may notice I added the appearance of shadows from a tree in one image too.

The face of the model, Cerys Wrigley-Moss, is illuminated using a beauty dish fitted with a grid, and her lower body is illuminated with an LED light panel. The latter provides a continuous light source that is adjustable, and has the same (or very nearly the same) colour temperature as the studio flash heads (ie if the white balance on the camera is set to “flash”, the light from the LED appears to be white too).

What this means, is that the photographercan have some areas of the image blurred (due to movement of the model) while other areas are sharp (due to the speed of the flash). This is accomplished using a slow shutter speed. Finding the best speed is a matter of trial and error, and will depend on the effect the photographer wants to create. In some of the above images, Cerys’s lower body is blurred due to her moving, while her face and head remains sharp.

I also added a speedlight above Cerys’s head to give some highlights to her hair.